Home is where the heart is.
Written on May 29, 2007
I’m sorry, it’s late so my headline writing skills (such as they are) are even worse right now.
Self-portrait with Elinor Carucci’s husband Eran Bendheim, entitled And If I Don’t Get Enough Attention (2002)
There is a great piece in the Guardian about Elinor Carucci, and how she breaches her private, family life to further explore and test the limits of where her art can go.
This brings to mind a few others, such as Avedon’s portraits of his father over time as his health worsened, or Jill Greenberg’s portraits of crying children including her own, which caused a rather weird ruckus.
Filed in: Art, Exhibitions & Events, Talent, Editorial.
[…] If you have Cinemax on Demand, you can watch the fascinating documentary about fine art photographer Sally Mann, What Remains. I caught it the other night and it reminded me of the recent article about Elinor Carucci from the Guardian. […]