Thank’s for the advise re:”keep it seperate”
I whittled my book down to what I considered my best pieces.
So I have about 21 sleeves with about 29 images (do the math).
I had difficulty figuring what should face certian images - solution - a blank page? I guess not.
One of the phrases that was hammered into me as an assistant was, “show 5 great images rather 25 average”.
Now I could cover every surface in the book quite easily, but I’ve seen the speed ArtDir’s go throught a book and didn’t want “pad” the folio just for the sake of filling white space.
you can have the prints double sided. but there aren’t many alternatives to sleeves of some sort. some people like loose prints in a box but i’m no t a huge fan of that as your main portfolio.
]]>keep it separate.
you had a lot of plain pages in your book?
]]>As far as construction goes, mine is a plain old brown leather embossed name jobby. I did have an agent once say to me that it was almost unthinkable to show anybody the book whilst I was using sleeve’s. This got me riled because I’m showing my pictures and not how much I can spend on packaging.
However the plain page thing was a surprise, I shall have to reassess my book immediately. I have about 25 sleeves some are DP’s most are not.
And just to make things even more confusing.
I have separate books for different things, I have no artsy conceptual landscape work in the 11×14 portrait book. and I have no editorial straight portrait type work in the 14×11 landscape book.
Is this a mistake? should I mix it all together claim ” hey I actually shoot everything”?.
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